I love reading magazines. I think they convey so much more about who a person really is than the books they read. Likewise, I think a magazine is a great example of judging a book by it’s cover-with just a glance you can tell what they’re about, who they’re trying to reach, what they’re talking about, and why you should generally care. At least, that’s what they should tell you.

A few weeks ago I was given a pile of magazines from an office in Montevallo, mainly about things and houses in the Birmingham area. At the bottom of the stack was the December 2010 issue of b-metro, the magazine of metro Birmingham Living. Nice, heavy/glossy paper, good choice…but I have a big issue with this cover in general.
First off, I get no impression of the nature of the feature article about Morgan Murphy, a southern-bred gentleman who has a knack for fixing Cadillac, an outstanding record in the Naval Reserve, plus a book deal in the works. The catch is, I gleamed none of that from the cover. Instead of any signifigant description, I get a photo of a pinstriped Murphy with a fat cigar in his mouth, doing his best L.A. Reid impersonation, the headline directly below him reading “Facebooking the Afghan War.” Now, that headline will get you a reaction, I’m sure-I doubt it’s the reaction you’re going for.
Don’t try to be something you’re not. If you’re the successful Naval Reserve gentleman from the South, be that. The only impression I received was that Morgan Murphy was a smartassed tycoon that I could confidently bypass with my hard-earned newstand money.
Speaking of impressions, there is a lot of text on this front page. Too much, in fact. I get you’re trying to tell readers what’s in your magazine, but you can accomplish this with only a few lines and better type placement.
Play with your text. If you’re this modern, hip magazine about Birmingham, be that, embrace that. Do that with your type. Text should not just sit there on top of your image, text should live within your image. It should layer itself into the main image, it should move; type is energy-it is what informs and ultimately sells your reader.

Text can be huge. Your reader can usually figure out the sentiment without seeing the whole apple; it’s Gestalt, but with words instead of patterns.
Reference colors throughout the photograph-the maroon of the tie, the white of the collar. Use these colors in your text. These show the viewer everything belongs together.
Flow with your image; just as the typography lives within the image, so too does the image live within the text. It’s an organic process.
Get a photo that shows the personality of the subject, but also ties into the article. This includes the header you use. My surrogate Morgan Murphy looks a little confident, but he’s still adjusting his tie, like he’s backstage, about to step out into a larger spotlight. The headline behind him tells you where he’s going, but this is the moment before.
Text doesn’t have to be solid. Production processes have come so far in such a short time, image tricks such as overlays are now reproducible. Bonus-You see more of a good photograph.
Remember, the cover is your handshake with the rest of the universe. Do it justice, or else the readers won’t give you the time of day.
(Special thanks to Andrew Rennis and his amazing Creative Commons photo sets on Flickr)
Face off is a new bi-monthly column on Browneagle Studio where I take a design and critique it. Without discussion there can be no progress.